For their first proper release as Metro Thuggin, Thug and the wunderkind producer Metro Boomin essentially retracted “ The Language” from Aubrey’s tepid Nothing Was the Same. But Wayne never successfully disappeared someone as big as Drake was in 2013. When he was the Only Rapper Who Mattered, he did terrible things to well-meaning artists like Mike Jones - i.e., flipping his beat to the point that the original might as well not exist. The song sees Thug pack the lines, “When I look at myself, look like a meal ticket,” “blowing trust funds,” and “I drove my mama crazy, then I went brazy” all into one brilliantly warbled verse. 1017 Thug track “Nigeria” is the best of Thug’s handful of collaborations with Mane. The din of Lil Wayne conspiracies obscures the fact that Thug first tied his wagon to another mid-2000s rap workhorse: Gucci Mane. The hook (and its Fleming-esque urge to “go light on the ice”) starts off as a guttural bark, but by the top of the first verse it bleeds into a falsetto, or the closest approximation one can weave through trap drums.
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He continues this impressive pace with Hy!£UN35 ( HiTunes, for the uninitiated), his proper retail debut expected out this fall.įive minutes into 1017 Thug, the 2013 mixtape that broke Young Thug to national audiences, you’re not just implored to “lean, lean, lean, lean, lean leanlean,” you’re learning how to spell. On first pass, “2 Cups Stuffed” sounds as if it’s the work of two or three different vocalists.
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(For those curious, his three-part I Came From Nothing mixtape series has its share of standouts this list is meant to trace his period as a widely visible trendsetter.) To put in perspective how prolific Thug has been in just a few years’ time, consider the fact that this was cut for space. What follows are 20 essential Young Thug songs and collaborations across proper releases, mixtapes, and one-offs, starting when he slinked into the national spotlight in 2013. Perhaps most important, it’s impossible to tell where the next bar is going, in your headphones or in the recesses of Thug’s mind. “About the Money” has its coming-of-age bent (“I went from rags to riches to a feature with Tip / I went from Smart car to a bitch with some smart lips”) “Halftime,” its bizarre imagery (groupies are fashioned into a trident, a “flooded out” Jesus piece bumps up against New Orleans’ literally flooded-out Ninth Ward). Rap is performative, and no one performs quite like Thug.īut each of those two songs exhibits a quietly engaging pen as well. When well-meaning rap fans and academics compare rapping to poetry, they do each medium a disservice. As Guru’s maxim goes, Williams is blessed with - or, more accurate, has synthesized his influences into - one of the slipperiest, most malleable voices in hip-hop’s history, not to mention a command of language that’s thoroughly his own. By the time Paul McCartney hit the main stage an hour later, Thug was already at O’Hare, taking pictures with Dennis Rodman, essentially living out the plot of Looper.īoth “Halftime” and “About the Money” argue for Thug as rap’s most vital, most engaging voice right now.
What had started as a tense point of curiosity - some fans in DePaul tank-tops wondered loudly if the rapper would show up at all - had become one of the day’s highlights: a loose, raucous set where the crowd was shouting everything down to the DJ drops. that finds him extolling the virtues of can openers and L.A. And he dropped “ About the Money ,” his massive collaboration with T.I. Pussy niggas stealing swag, bring my shit back like recycle
I might eat it, I might lick it, but I swear I’ll never bite ‘emĮvery time I dress myself, it go motherfucking viral Got 100 million flat, like my motherfucking idol There, he played “ Halftime ,” the song that Cobb County district attorneys used to implicate him in the same indictment that charged PeeWee Roscoe with domestic terrorism for Lil Wayne’s tour-bus shooting back in April. I’ve witnessed it up close.Īt the end of July, less than two weeks after he was jailed for - of all things - a confrontation with a mall cop, Thug made it to his scheduled set at Chicago’s Lollapalooza.
But the Atlanta-born Jeffrey Williams, who just turned 23 and is facing a litany of gun and drug charges, and might yet be roped into a conspiracy to kill his idol, doesn’t seem too worried. Most who wrangle that crown do it loudly: as the sneering villain, the smirking capitalist, the put-upon savior. Young Thug performs at Grant Park on July 31 in Chicago, Illinois.įor one of the best rappers alive, Young Thug seems remarkably at ease.
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